Well, hey there, and welcome back to “Greg Sees Too Many Movies!”
I saw “The Last Witchhunter” today.
This film is in a genre for which I have no quick, pithy name. I’d be forced to describe it as “gothic urban fantasy” if I had to, but that doesn’t quite nail down the feel of the films. If you’ve seen any two or three of the following, however, you’ll know what I’m talking about: “Hansel and Gretel: Witch Hunters,” “Van Helsing,” “I, Frankenstein,” “A League of Extraordinary Gentlemen,” “Seventh Son.” Now, there are those who hate this genre, and I cannot fault them for it. The films often have moments of strange comedy that could be considered tonally jarring when juxtaposed with the more intense action. However, I must place myself in a different camp entirely.
Look, I’m a nerd, alright? I’ve got a Lord of the Rings goblet, I listen to weird bardic music, and I play Dungeons and Dragons weekly. I’m not ashamed to say that sometimes I like a thing because I like the thing, and not because the thing is cool. In this case, I’m aware of the borderline silliness that is inherent in the genre. I know how most of these films are going to go down before I see them. However, I cannot deny that this little niche market is one of my absolute favorite styles of film. I love every film on the list I made above (with the exception of “I, Frankenstein,” which I thought was alright, but not great). If I see that a film looks like it’s following the tropes of the genre, I’ll go and see it. They just rub me the right way, I suppose.
It’s a wonderfully shot film, full of dark and creepy imagery juxtaposed with bright, shining city life or green countryside. There were one or two moments when a long pan caused the scene to blur for a moment, but even then, the pan was a revealing shot, so I believe it was deliberate.
The music was fine work, underscoring the scenes like it was supposed to, without drawing too much attention to itself. The exception was the wicked, languorous cover of “Paint it Black” by an artist named Ciara, which was the credits song at the end of the film, which was very much drawing attention to itself. I loved it.
Vin Diesel plays the lead. Have you seen a Vin Diesel performance that you particularly liked, perhaps Riddick? Then you’ve loosely seen his performance here, but honestly it’s my favorite live-action performance that I’ve seen from Diesel. One of his very first lines, “By iron and fire,” was so well-delivered that I would have had my attention yanked fully to the film, were I not already invested. I knew Rose Leslie from her work in “Game of Thrones,” and liked her more in this than I did in the HBO show. It is, I think, impossible to get a bad performance out of Michael Caine, and so it was with this film – he’s Michael Caine, and is therefore awesome. Elijah Wood is also in the film, and delivers a line that involves the phrase “keep it secret.” I managed with difficulty to not exclaim “keep it safe!”
I liked the pacing of the film. It’s a buildup to the fight with the Big Bad, of course, but it had enough restraint to keep the buildup slow, but throw in bursts of excitement when necessary. I would probably have to say that I think the film is quite well constructed.
I left the film with the great desire that it should receive a sequel, because I liked the characters, I liked the world they’d set up, and I liked the setup at the end of the film. I was gratified to learn that Vin Diesel, who is also a producer, has already made plans for such a sequel in spite of the poor reviews of the first film. Hurrah for the artist, driven to make what they want to make in spite of criticism.
There is one fantastic, jarringly out of place D&D reference made by Diesel’s character in the film, involving the phrase ’13th level,’ which is never brought up again, and which I am certain Mr. Diesel threw in because he, like me, is an enormous nerd.
I’m not sure how best to rate this film. It’s a niche film for a niche market. If you’re one of the strange folks who really loves these films, you’ll love it. If you absolutely hate these films, you’ll hate it, and also you are a stick in the mud. For everyone else, I have a way that may help you gauge your interest in this film.
I’ve said before that enjoyable films fall into two categories: “Interstellar” and “Sahara.” The former is an unquestioned work of art, finely sculpted and beautifully subtle and majestic. The later is a well-constructed bit of fun. If your film doesn’t have what it takes to be “Interstellar,” that’s all well and good. It doesn’t have to be a pristine work of art, but if it’s not, it should be fun. “The Last Witchhunter” is definitely in the “Sahara” camp. It’s not a brilliant work of art. It’s not a staggeringly impressive new story. It is, however, a tightly-constructed, well-presented gothic fantasy, and I loved it tremendously.